I have set up six book titles to sell on Data Stream World. After a simple log in set up, the site remembers me without having to type in details every time. Very user friendly and easy for authors to follow the clear steps. Easy to navigate between folders to check on what was written elsewhere, Note that the first ‘alternative text’ box needs to describe the image with detail as to a blind person. Pretty excited to be a part of this new system.
This Publisher’s Notes and References for Punctuation and Capitalization
In text editing we aim to be both consistent and only to change the author’s text where it seems necessary to avoid a glaring error. In consequence, we keep as close as possible to the author’s work. The Cheeky Possum text rhymes, so we have looked for practices acceptable in poetry, which offer greater latitude than prose.
We hope these notes are useful to encourage the exploration of writing style and rules. Text editing … ugh!
Arguments can be mounted that the opening sentence of The Cheeky Possum should be multiple sentences, but we find it a great introduction to Peter and only when he’s given us his substance, do we stop and digest it. Before coming to this conclusion, a number of articles published on the web were considered:
Should there always be a comma before quotes? Not necessarily according to the Sesquiotica blog. Apart from stand-alone, speech quoted sentences in The Cheeky Possum, all other speech can be viewed as anecdotal, broad-view description.
The Grammar Monster says, “There is a lot of leniency on the use of capital letters for quotations embedded in sentences. So we’ve allowed: He said ”hey now, this is proof, there’s hippos landing on my head!”. The rendering on the page gives the utterance a dreamy quality as of someone suddenly awoken.
There is an example of something described as, said, that is without quotation marks, that we have allowed. Its usage is immediate and climatic, and is the thought that Bridgette has, namely: look up there; it’s a possum on a wire. This we take not to be an utterance, but her reaction to the situation. To support this contention, we note that quoted dialogue follows this reaction.
We’re nearing the end of The Cheeky Possum and it’s time to reflect on what we’ve seen and heard. Of course, within the story, the characters too are reflecting and drawing their own conclusions. Here we’re touching on an aspect of the magic of reading to your children. We are nurturing their intellectual development in many ways.
So we have the story, the reader and the listeners. With a picture book the listeners may also be looking and thinking about the illustrations. One looker and thinker, Aria says, of the illustration of Bridgette tucked up inside her bed, “She’s a very tidy teenager!”.
As Bex has suggested, this is an area for general comments. I’m on a learning curve, never having set up this kind of website before. I’ll try to respond quickly to your suggestions, but I may need to do some research on occasion.
I have now given Bex a role on the website so she can set up new topics like this one. If any of the Mothers’ Group would like similar, please send me an email. Anyone can post a comment (comments are moderated).
It’s storytime and the lights are low. We’re reading a pre-publication mockup of The Cheeky Possum, a real favourite with Avery. We’re in cheeky possum world, so most of the illustrations are moonlit. This is Peter, the cheeky possum’s favourite playground. A world of shadow and revelation, where the girls notice for the first time there is, in the picture, a kangaroo hopping. Thank you to Derek Dadswell for the wonderful mood and graphic presentation of these illustrations.