
On: Wednesday 18th April 2018
Title: The Wise Little Owl
Author: Alexandra Tesoriero
was listed with the Author Direct Bookshop.
On: Wednesday 18th April 2018
Title: The Wise Little Owl
Author: Alexandra Tesoriero
was listed with the Author Direct Bookshop.
On: Thursday 29th March 2018
Title: The Cheeky Possum
Author: Alexandra Tesoriero
was listed with the Author Direct Bookshop.
In text editing for grammar we aim to be both consistent and only to change the author’s text where it seems necessary to avoid a glaring error. In consequence, we keep as close as possible to the author’s work. The Cheeky Possum text rhymes, so we have looked for grammar practices acceptable in poetry, which offer greater latitude than prose.
We hope these notes are useful to encourage the exploration of writing style and rules. Text editing … ugh!
Arguments can be mounted that the opening sentence of The Cheeky Possum should be multiple sentences, but we find it a great introduction to Peter and only when he’s given us his substance, do we stop and digest it. Before coming to this conclusion, a number of articles published on the web were considered:
On capitalization of the first word of a line in poetry, as exhibited in The Cheeky Possum, we cite Alberto Rios writing on the subject. Further, on our spelling of the word ‘capitalization’ in British and Australian English, we cite The Conversation article on the use of ‘ise’ and ‘ize’.
Should there always be a comma before quotes? Not necessarily according to the Sesquiotica blog. Apart from stand-alone, speech quoted sentences in The Cheeky Possum, all other speech can be viewed as anecdotal, broad-view description.
The Grammar Monster says, “There is a lot of leniency on the use of capital letters for quotations embedded in sentences. So we’ve allowed: He said ”hey now, this is proof, there’s hippos landing on my head!”. The rendering on the page gives the utterance a dreamy quality as of someone suddenly awoken.
There is an example of something described as, said, that is without quotation marks, that we have allowed. Its usage is immediate and climatic, and is the thought that Bridgette has, namely: look up there; it’s a possum on a wire. This we take not to be an utterance, but her reaction to the situation. To support this contention, we note that quoted dialogue follows this reaction.
We’re nearing the end of The Cheeky Possum and it’s time to reflect on what we’ve seen and heard. Of course, within the story, the characters too are reflecting and drawing their own conclusions. Here we’re touching on an aspect of the magic of reading to your children. We are nurturing their intellectual development in many ways.
So we have the story, the reader and the listeners. With a picture book the listeners may also be looking and thinking about the illustrations. One looker and thinker, Aria says, of the illustration of Bridgette tucked up inside her bed, “She’s a very tidy teenager!”.
It’s storytime and the lights are low. We’re reading a pre-publication mockup of The Cheeky Possum, a real favourite with Avery. We’re in cheeky possum world, so most of the illustrations are moonlit. This is Peter, the cheeky possum’s favourite playground. A world of shadow and revelation, where the girls notice for the first time there is, in the picture, a kangaroo hopping. Thank you to Derek Dadswell for the wonderful mood and graphic presentation of these illustrations.